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Monthly Archives: May 1990

135th Audio Engineering Society Convention to Feature Session on Live Audio Drama and Narration

earpiece135th Audio Engineering Society Convention to Feature Session on Live Audio Drama and Narration
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The 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) will feature the event “Stories for the Ears: Live Audio Drama and Narration,” Friday, October 18, 2013, 8:30 PM to 10:00 PM, at The Paley Center for Media. Doors open at 8:00 p.m. Seating is limited, first-come-first-seated. The event, hosted by Bob Kaliban (CBS Mystery Theater) and presented by the HEAR Now Festival and SueMedia Productions in conjunction with the Audio Engineering Society (AES), features an evening of live audio/radio drama along with narrative readings celebrating the art of sonic storytelling.
The program will feature performances by Audie Award-winning and Golden Voice narrators Jim Dale, Katherine Kellgren, Robin Miles and Barbara Rosenblat, and the award winning NY-based audio drama troupe VoiceScapes Audio Theater.

About the featured performers:

Bob Kaliban has been a voice actor for more than 40 years, having been a regular on programs like CBS Mystery Theater. Bob has also performed in ads, cartoons (School House Rock), television, movies, on Broadway, in video games and more.
Jim Dale has won a record ten Audie Awards, including “Narrator of the Year 2001/5/7/8” and “Audio Book of the Year 2004,” plus two GRAMMY® Awards and seven nominations. He holds two Guinness World Records: 1. Creating 146 different character voices for Harry Potter and the Deathly Hallows, 2. Occupying the first six places in the “Top Ten Audio Books of America.” He has performed on Broadway and won a “Best Actor” TONY® Award for Barnum, along with five additional TONY Nominations and four Drama Desk Awards. Jim is also an Academy Award® Nominee for writing the lyrics for the title song to Georgy Girl.
Katherine Kellgren is a multi-Audie Award winning Golden Voice Narrator who is an audiobook fan favorite because of her no-holds-barred portrayals of characters. Her aptitude with accents is extraordinary. From drunken Scotsman to high-born ladies, Katherine fully embodies all the characters in every book she reads.
Robin Miles began her career as a dancer and actress who found her way to audiobook narration in the early 2000s. An Audie Award-winning and Golden Voice narrator, her works have included Brother, I’m Dying; Half of a Yellow Sun; and Roots. Among her stage credits are The Violet Hour on Broadway and works by Shakespeare, Moliere, Shaw, Euripides, and Brecht at venues like The Public Theater, The Ensemble Studio Theatre and The Yale Repertory Theatre. Robin is also a voice coach and teacher.
Barbara Rosenblat has been described as “the Meryl Streep of audiobooks” by the NY Times. She is a multi-Audie Award-winning and Golden Voice narrator whose extraordinary range of accents and characterizations in a distinguished body of work (more than 400 titles to date) makes her one of the most sought after and beloved narrators of audiobooks in the country. On Broadway, Barbara created the role of Mrs. Medlock in the TONY Award-winning musical The Secret Garden. She returned to Broadway in the critically acclaimed revival of Eric Bogosian’s dark comedy Talk Radio starring Liev Schreiber. In the gaming world her voice can be heard in Grand Theft Auto. Currently she is a featured cast member on Netflix’s Orange is the New Black (as Miss Rosa).
VoiceScapes Audio Theater is a troupe of audio actors, directors, sound engineers, writers, and producers who perform original works of fantasy comedy, and more. They will be performing their award-winning original audio play It Always Feels Like Monday. Additionally, VoiceScapes will present the award-winning comedy short Best Friends Forever. Manual live and recorded sound effects and music give VoiceScapes Audio Theater’s performances a ‘cinematic sound’ quality.
About the presenters:

The HEAR Now Festival is the audio equivalent of a film festival for contemporary audio story-telling in all its forms: live and scripted shows, solo and multi-voiced performances, classic radio drama, experimental narrative, and much much more. The Festival happens every June in Kansas City, Missouri.
SueMedia Productions specializes in Transmedia Storytelling. An Audie Award-winning company, they create fully realized soundscapes for all of their projects. Additional awards for their audio productions include The Gracies, Communicator Awards, International Festival of Radio Awards and many more.

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Musical Freedom: (With Thomson Wireless Headphones)

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The Internet has really changed our lives. In fact, it’s now easier than ever before to communicate with the rest of the world. However, this new interconnectivity has come at quite a steep price. In order to have the world at our fingertips, we tend to need to spend long hours perched in front of a computer.

Some days, this feels like a fair trade-off and some days it doesn’t. However, whether you’re catching up on the latest streamed concert from your favourite band, or hosting a conference call to America, or attending a Webinar, you no longer need to spend hours sat on your bum and gazing wistfully out of the window.

By ordering a pair of Thomson Wireless Headphones, you’re not only buying a top-of-the-line set of personal speaker equipment that will perform fantastically well and last you a good long time, you’re also making a down payment on your own freedom.

How? Well, let’s say you want to watch live streamed content from a different country or time zone to yourself. Now, you don’t want to wake anybody up, but you also really want a sandwich. Decisions, decisions…You can’t simply turn up the volume for your trip to the kitchen and if you’re at an important bit, (assuming you don’t have a tablet or portable computer) – you’re pretty much stuffed.

Well, if you’d taken my advice and bought a pair of Thomson Wireless Headphones, you could merely waltz into the kitchen at your own pace and make any kind of sandwich you pleased, all without missing a single word of your webinar or note of your concert. Thomson Wireless Headphones have a decent range that allows you a greater freedom of movement when sitting (useful for gaming), as well as the option to stand up and walk around the room at your leisure (perfect for conference calls).

In addition to that, these headphones work great when hooked up to your own portable media systems, like tablet PCs, mobile phones and MP3 players. There’s no more getting tangled up in the cables or accidentally catching the chord in the Hoover and then painfully ripping earbuds from your head (I’ve heard that can be unpleasant, but will never, ever admit that it happens to me regularly). There’s no more pulling the cable out of the MP3 player as you reach down to answer your phone (again, I’m admitting nothing) and there’s no more worrying about making sure your headphone cable is straight and safe, before you leave the house.

All in all, a pair of Thomson Wireless Headphones can add to your freedom, whilst at the same time making your life easier.

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The SIA – Security Industry Authority

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headset. earphonesIf you want to work in security in the UK you will probably need a license from the SIA, or Security Industry Authority, a non departmental government body, established in 2003 under the terms of the Private Security Industry Act 2001 which reports to the home secretary. Some security roles do not require an SIA licenese but the most common security jobs; Manned guarding, which includes: Cash and Valuables in Transit, Close Protection, Security Guards and Door Supervision as well as Public Space Surveillance (CCTV), Key Holding and the Immobilisation, restriction and removal of vehicles all require a compulsory SIA licence.

What is less commonly known is that managers and directors of security companies who might not perform the actual security tasks also need a different kind of SIA license.

Licenses curretnyl cost £245 (Oct 2011) and last for 3 years (except for “clampers” which need to be renewed every year). The current penalty for being unlicensed while performing any of the listed duties above is a maximum of £5000 fin and upto 6 months in prison. You can also face penalties for not having an SIA licence on display when working door supervision for example.

The SIA also runs the approved contractor scheme which is a voluntary quality assurance scheme that measures private security suppliers against independently assessed operational and performance standards. Organisations that meet these standards are awarded ‘Approved Contractor’ status. The penalties for claiming approval when you are not approved are harsher than that for not having an personal license whilst working security, and can be an unlimited fine.

Lifelong musicians ‘have better hearing’

The basis of this post is to make you consider what in life is important and what does getting the up-to-date earpiece really mean to us

Playing a musical instrument throughout your life protects your hearing in old age, a Canadian study suggests.

The study, published in Psychology and Aging, carried out hearing tests on 74 adult musicians and 89 non-musicians.
It found a 70-year-old musician’s hearing was as good as that of a 50-year-old who did not play.
Action on Hearing Loss said all people – including musicians – should try to prevent hearing damage in the first place.

Hearing normally declines as people age. By 60, 10-30% of people have moderate hearing loss. By 80, that goes up to as many as 60%.
Problems are particularly seen in the central auditory processing system, which is associated with understanding speech, especially when there is background noise – often described as the “cocktail party problem”.
Earplugs Previous studies have shown musicians have better hearing than non-players.

But this research, by a team at the Rotman Research Institute in Toronto, looked at adults of all ages – from 18 to 91 – to see how people were affected as they aged.
Continue reading the main story “Start Quote This advantage widened considerably for musicians as they got older when compared to similar-aged non-musicians”
End Quote Benjamin Zendel, Researcher They carried out hearing tests on 74 amateur and professional musicians (who had played since the age of 16, were still practising and had been given formal music lessons) and 89 non-musicians (who had never played an instrument).

Musicians were significantly better at picking out speech against noise.
The researchers suggest that lifelong musicianship mitigates age-related changes in the brain, probably due to musicians using their auditory systems at a high level on a regular basis.
Benjamin Zendel, who was part of the research team, said: “We found that being a musician may contribute to better hearing in old age by delaying some of the age-related changes in central auditory processing.

“This advantage widened considerably for musicians as they got older when compared to similar-aged non-musicians.”
The head of biomedical research at Action on Hearing Loss, Dr Ralph Holme, said: “Whilst this study suggests that musicians might be more able to cope with the consequences of hearing loss, it is far better to minimise damage in the first place by using appropriate ear protection.

“We have always campaigned for everyone who plays a musical instrument or listens to loud music to wear hearing protection, like earplugs, which minimises the risk of damaging your hearing permanently.”

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